Part 3: Affective Geometry, Immanent Acts: Lygia Clark and Performance - post
Lygia Clark – ARTnews.com
Part 1: Affective Geometry, Immanent Acts: Lygia Clark and Performance - post
Lygia Clark | | Flash Art
Part 1: Affective Geometry, Immanent Acts: Lygia Clark and Performance - post
Part 3: Affective Geometry, Immanent Acts: Lygia Clark and Performance - post
Part 2: Affective Geometry, Immanent Acts: Lygia Clark and Performance - post
Lygia Clark | Hammer Museum
Lygia Clark | ARTPIL
Part 1: Affective Geometry, Immanent Acts: Lygia Clark and Performance - post
Presence, Silence, Intimacy, Duration: Lygia Clark's Relational Objects · Pelican Bomb
Presence, Silence, Intimacy, Duration: Lygia Clark's Relational Objects · Pelican Bomb
X-TRA → From Painting to Therapeutic Practice: Conversation about Lygia Clark: The Abandonment of Art, 1948–1988
Conceptual Drawing: Body/performance
Opening Reception for Assembly Required - Pulitzer Arts Foundation
Part 1: Affective Geometry, Immanent Acts: Lygia Clark and Performance - post
Lygia Clark - the most pioneering artists of the twentieth century. | Brazilian Contemporary Art
X-TRA → From Painting to Therapeutic Practice: Conversation about Lygia Clark: The Abandonment of Art, 1948–1988
Lygia Clark — Hélio Oiticica — Lygia Pape: A Lecture by Irina Kulik. | Garage
Lygia Clark - the most pioneering artists of the twentieth century. | Brazilian Contemporary Art
X-TRA → From Painting to Therapeutic Practice: Conversation about Lygia Clark: The Abandonment of Art, 1948–1988
Lygia Clark at Centro Cultural Banco Do Brasil - Artforum International
