Presence, Silence, Intimacy, Duration: Lygia Clark's Relational Objects · Pelican Bomb
Part 1: Lygia Clark: At the Border of Art - post
X-TRA → From Painting to Therapeutic Practice: Conversation about Lygia Clark: The Abandonment of Art, 1948–1988
Lygia Clark - M HKA Ensembles
X-TRA → From Painting to Therapeutic Practice: Conversation about Lygia Clark: The Abandonment of Art, 1948–1988
The Therapeutic Art of Lygia Clark | CHRISTINA GRAMMATIKOPOULOU | Interartive | Contemporary Art + Thought
Lygia Clark and Hélio Oiticica: A Legacy of Interactivity and Participation for a Telematic Future
Lygia Clark's Practices of Care and Teaching:
X-TRA → From Painting to Therapeutic Practice: Conversation about Lygia Clark: The Abandonment of Art, 1948–1988
Lygia Clark Transformed Contemporary Art in Brazil and Beyond | Artsy
Part 1: Lygia Clark: At the Border of Art - post
Lygia Clark - Latin America New York Lot 15 November 2013 | Phillips
Lygia Clark | ARTPIL
Presence, Silence, Intimacy, Duration: Lygia Clark's Relational Objects · Pelican Bomb
Raw Material 3: Lygia Clark Activation | Territories of Art Therapy
Lygia Clark | Frieze
Analog Interactive Art – 60212: INTERACTIVITY & COMPUTATION
Lygia Clark - Archives of Women Artists, Research and Exhibitions
Brazilian participatory art of the 1960s: Lygia Clark and Helio Oiticica - Document - Gale Academic OneFile
Leonilson: On Film – KW Institute for Contemporary Art
Lygia Clark | Hammer Museum
Lygia Clark | | Flash Art
The Opening Fist: Lygia Clark and the Notion of the Organic – Arts Barca
Between Art and Therapy | Guggenheim Museum Bilbao
Art as mediator | Guggenheim Museum Bilbao
Presence, Silence, Intimacy, Duration: Lygia Clark's Relational Objects · Pelican Bomb
